Sunday, November 10, 2019
Moral Influence in Great Expectations Essay
Show the Moral Influence on Pip in Charles Dickensââ¬â¢ Great Expectations Symbolism as it is used in literature aims to project the internal aspects of an individualââ¬â¢s character through the external aspects in reality. Charles Dickens, in his novel, Great Expectations uses symbolism in order to reflect other individualsââ¬â¢ moral influence on Pip. Consider for example the following instances. In the novelââ¬â¢s initial chapter, one is presented with the character of Pip who is described as an orphan with a vivid imagination. As he recounts his initial experiences in life, Pip mentions that his ââ¬Å"most vivid and broad impression of the identity of things, seemsâ⬠¦to have been gained on a memorable raw afternoon towards eveningâ⬠(Dickens, 1992, p. 3). It was during this evening that Pip met the convict, Magwitch. The use of symbolism in his encounter with Magwitch is evident as Pipââ¬â¢s initial introduction to the villainous aspects of manââ¬â¢s nature, in the form of Magwitch, occurred during the transition from day to night. One sees here how Dickenââ¬â¢s uses the shift from day to night as a means of shifting the mood within the novel in such a way that will prepare the reader for his encounter with an individual who is in possession of a questionable moral character. In addition to this, one perceives here the manner through which Magwitchââ¬â¢s moral character affects Pipââ¬â¢s moral disposition as Pip was introduced to committing morally questionable actions through his chance encounter with Magwitch. As opposed to the use of darkness as a means of symbolizing the immoral aspects of man, Dickens also uses the light as a means of symbolizing the moral aspects of man. For example, one is presented with Pipââ¬â¢s initial encounter with Estella. Estella, which literally means star, is presented as an ââ¬Ëangelicââ¬â¢ being who inspires Pip to desire for the finer things in life. Reference Dickens, C. (1992). Great Expectations. London: Wordsworth Editions, 1992.
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